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Worth the Wait - Waiting For Godot!
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| Worth the Wait - Waiting For Godot! |
| 04.25.04 (8:30 pm) [edit] |
The Shanghai Dramatic Arts Centre has two hot propositions for theatregoers this coming summer. The first is a production of Waiting For Godot that has been feted across the board as a near-definitive version of Samuel Beckett's most famous work. The Gate Theatre, the prestigious Dublin-based company, first staged this production last year to mark the fiftieth anniversary of the play's original Paris debut, and it has earned nothing but acclaim since.
For a play in which, famously, nothing really happens, Waiting For Godot continues to captivate and confound audiences. The plot, such as it is, centres on the down-at-heel Vladimir and Estragon and their futile wait for Mr Godot, a figure so obscure that they can't even remember why they started waiting for him in the first place. As they observe though, at least waiting for Godot passes the time - passing time, as Beckett may be telling us, being all that life really amounts to.
Nonetheless, you could do far worse than spend an hour or two of your pointless existence watching this one - although you should expect to leave the theatre with more questions than answers.
Then in July comes Shakespeare's Othello, brought to Shanghai by English theatre company Cheek By Jowl. Another highly respected outfit, Cheek By Jowl has a reputation for staging no-frills productions packed with the very brightest talent.
And brighter than most is Nonso Anozie, a rising star of the British stage, cast here as Othello. Anozie first attracted attention two years ago in an RSC Academy production of King Lear, when his portrayal of Lear met with rave reviews. Anozie's interpretation of the Moorish general and his tragic surrender to the "green-eyed monster" is therefore eagerly anticipated.
Watch out too for the well-respected Jonny Phillips as the villainous Iago, the scheming counterpoint to Othello's guileless action man. Iago is the play's truly enthralling character, driven to engineer Othello's demise by what Coleridge famously called "motiveless malignancy". In other words, Iago has no particular reason to be so nasty. He just quite likes it.
Waiting for Godot will be performed from May 20-22 and Othello from July 13-18, both at the Shanghai Dramatic Arts Centre. For more info and tickets, please call 6473 0123.
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